DKU & NYU Shanghai Co-present Ecofeminism Exhibition “Gaia Commons” at NYU Shanghai
An ecofeminism exhibition titled “Gaia Commons” opened on October 26, 2025, at NYU Shanghai and will be on view through November 26 at the E3F Semi-Enclosed Exhibition Space and Outdoor Terrace. The month-long exhibition brings together artists, scholars, and educators from Duke Kunshan University, Duke University, and NYU Shanghai to how care, collaboration, and creative […]
Congratulations to Prof. Ben Van Overmeire for being a Finalist for a Book Prize
Prof. Ben Van Overmeire’s book American Koan: Imagining Zen and Self in Autobiographical Literature (University of Virginia Press) was a finalist for a book prize of the American Academy of Religion: https://aarweb.org/news/2025-aar-book-award-winners/. Congratulations!
Emerging Dance Writer’s Fellowship: CALL FOR SUBMISSIONS
The thINKingDANCE (tD) Emerging Dance Writer’s Fellowship recognizes exceptional work in the field of dance writing for two U.S.-based undergraduates studying in the performing arts, journalism, writing, or a related field. The Emerging Dance Writer’s Fellowship was created to foster the next generation of dance critics and writers, guiding them into the next phase of […]
Prof. Maximiliano Amici Collaborates with Suzhou Symphony Orchestra Quartet for Concert
On September 15, Prof. Maximiliano Amici welcomed the Suzhou Symphony Quartet to the DKU campus for a string quartet concert held at the DKU Visitors Center. The event, supported by the Division of Arts and Humanities and the Suzhou Symphony, marked an important step in the developing collaboration between DKU and one of Jiangsu’s leading […]
Turning the Tide: Students Claim First Place at Sony’s 2nd Innovation Competition
On September 15, 2025, three students from Duke Kunshan University’s Computation and Design major—Jingyang Peng (Class of 2027),Yijia Sun (Class of 2025), and Yiqing Wang (Class of 2027)—guided by Professors Ziv Ze’ev Cohen and Giovanni Santini, won first place nationwide at the 2nd Innovation Competition for Students: Start Your Dreams with Sony in Shanghai. Their […]
Prof. Ziying Cui Leads Students to Experience Suzhou Ballet’s work Love Bridge Premiere and Rehearsal
Students in Prof. Ziying Cui’s MEDIART 118 class recently had the opportunity to experience Chinese ballet both behind the scenes and on stage. Through two field trips to the Suzhou Culture and Arts Center, arranged with the support of the Suzhou Ballet Theatre, students attended the technical rehearsal of Love Bridge (鹊之桥) on Wednesday afternoon […]
Exhibition “How to be Happy Together?” Curated by Prof. Zairong Xiang
The exhibition “How to be Happy Together?” is curated by Zairong Xiang in Para Site, Hong Kong, during December 13, 2024 and April 13, 2025. Departing loosely from Wong Kar Wai’s Happy Together (1997), the exhibition enacts a critique of dualism and the questions raised by the dual and its split—between intimate and antagonistic partners, […]
New Article “Everyone’s (a) Toilet” Published by Prof. Zairong Xiang
Prof. Zairong Xiang’s new article “Everyone’s (a) Toilet” has been published in e-flux journal issue 155, July 2025. Dong Guo-zi asked Zhuangzi, “Where is what you call the Dao to be found?” Zhuangzi replied, “Everywhere.” The other said, “Specify an instance of it. That will be more satisfactory.” “It is here in this ant.” “Give […]
Poem Publication on Poetry Daily | Prof. Stephanie Anderson
Prof. Stephanie Anderson published a poem, “With Love and Dread and Rage and Love,” from BEARINGS, on Poetry Daily: With Love and Dread and Rage and Love, – Poetry Daily With Love and Dread and Rage and Love, Stephanie Anderson Or is it anticipation cut perversely Something must happen Dear ones, say you feel it […]
Prof. Jung Choi Published a Peer-Reviewed Article in Inter-Asia Cultural Studies
Prof. Jung Choi published a peer-reviewed article, “Patching Worlds through Levitating Machinic Vision: Xu Bing’s Dragonfly Eyes” in Inter-Asia Cultural Studies. ABSTRACT In Dragonfly Eyes, Xu Bing repurposes surveillance footage as his new ready-made material, weaving a new aesthetic reality reflecting the omnipresent yet invisible nature of machinic vision in contemporary society. This essay examines how […]
